<?xml version="1.0" encoding="utf-8"?>
<article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" article-type="research-article" dtd-version="1.2" xml:lang="en">
  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Literay Fact</journal-id>
      <journal-title-group>
        <journal-title>Literay Fact</journal-title>
      </journal-title-group>
      <issn publication-format="print">2541-8297</issn>
      <issn publication-format="electronic">2542-2421</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://doi.org/10.22455/2541-8297-2026-40-320-347</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject>Research Article</subject>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Did Huxley Know Zamyatin? Several Approaches to the Issue</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Golovacheva</surname>
            <given-names>Irina V.</given-names>
          </name>
          <email>editor@litfact.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <year>2026</year>
      </pub-date>
      <kwd-group xml:lang="en">
        <kwd>Aldous Huxley</kwd>
        <kwd>Evgeny Zamyatin</kwd>
        <kwd>“Brave New World</kwd>
        <kwd>” “We</kwd>
        <kwd>” borrowings</kwd>
        <kwd>similarities</kwd>
        <kwd>Zamyatin’s interviews</kwd>
        <kwd>“The Future of the Theatre</kwd>
        <kwd>” “New World Drama”</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>This article offers a historical-biographical and comparative approach to the questions that have long preoccupied the readers of Aldous Huxley’s “Brave New World” (1932). The first question is: Did Aldous Huxley know of Yevgeny Zamyatin and specifically of his utopia “We”? The second question is: Did Huxley read Zamyatin’s novel prior to 1931, i.e., before he started writing his own utopia “Brave New World”? The paper provides a comprehensive history of the issue by chronologically tracing the debate over Huxley’s presumed ‘plagiarism.’ The author views and critically assesses all the “pro et contra” arguments pertaining the hypothesis of Huxley’s borrowings from “We.” It is argued that Huxley learned about Zamyatin’s novel in 1927 from Rene Fülöp-Miller’s “The Mind and Face of&nbsp; Bolshevism”, from the book devoted to politics, life and culture in the USSR which Huxley studied closely.&#13;
The paper examines numerous similarities in the plots and imagery of the two utopias. The author claims that the parallels, however, do not give us any sufficient ground to assert Huxley’s conscientious borrowings from Zamyatin’s novel, much less his plagiarism. Rather, as the article argues, the similarities result from a ‘genetic’ kinship, namely, from the shared literary heritage of the writers. Indeed, both “We” and “Brave New World” owe much to H.G. Wells and F.M. Dostoevsky. Another major source of inspiration for Zamyatin and Huxley was the Soviet utopian project which played a significant role in shaping the ideological message and poetics of both utopias. It is Huxley’s interest in the “new world” of the communist utopia and in Soviet cultural realities that explains his attention to Zamyatin’s article “The Future of Theatre” (1932). Huxley devoted an essay to this text by Zamyatin. The Russian translation of Huxley’s essay is included in the paper.&#13;
Finally, the article tackles the following question: why didn’t Huxley ever comment on Zamyatin’s “We”?</abstract>
    </article-meta>
  </front>
  <back>
    <ref-list>
      <ref id="B1">
        <label>1.</label>
        <mixed-citation>Golovacheva, V. Nauka i literatura: arkheologiia nauchnogo znaniia Oldosa Khaksli [Science and Literature: The Archeology of Scientific Knowledge of Aldous Huxley]. St. Petersburg, Faculty of Philology and Arts of Saint Petersburg State University Publ., 2008. 344 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B2">
        <label>2.</label>
        <mixed-citation>Golovacheva, V. Putevoditel’ po “Divnomu novomu miru” i vokrug [A Guide- Book of “Brave New World” and Around]. Moscow, Iazyki slavianskoi kul’tury Publ., 2017. 344 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B3">
        <label>3.</label>
        <mixed-citation>Dolgopolov, K. “E. Zamiatin i V. Maiakovskii: (K istorii sozdaniia romana ‘My’)” [“E. Zamyatin and V. Mayakovsky: On the History of Writing the Novel ‘We’”]. Russkaia literatura, no. 4, 1988, pp. 182–185. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B4">
        <label>4.</label>
        <mixed-citation>Doronchenkov, I.A. “Ob istochnikakh romana Zamiatina ‘My’” [“On the Sources of E. Zamyatin’s ‘We’”]. Russkaia literatura, no. 4, 1989, pp. 188–199. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B5">
        <label>5.</label>
        <mixed-citation>Dostoevskii, M. Polnoe sobranie sochinenii: v 30 t. [The Complete Works of F.M. Dostoevsky: in 30 vols.], ed. by V.G. Bazanov, G.M. Fridlender, V.V. Vinogradov, et al. Leningrad, Nauka, 1972–1990. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B6">
        <label>6.</label>
        <mixed-citation>I. Zamiatin: Pro et contra. Lichnost’ i tvorchestvo Evgeniia Zamiatina v otsenke otechestvennykh i zarubezhnykh issledovatelei. Antologiia [E.I. Zamyatin: Pro et contra. The Person and His Work in the Assessment of Russian and Foreign Critics. The Anthology], ed. by O.V. Bogdanova, M.Iu. Liubimova. St. Petersburg, Russian Chris- tian Humanitarian Academy Publ., 2014. 974 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B7">
        <label>7.</label>
        <mixed-citation>Zamiatin, I. Sobranie sochinenii: v 5 t. [Complete Works of E.I. Zamyatin: in 5 vols.]. Moscow, Dmitrii Sechin, Respublika, 2010. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B8">
        <label>8.</label>
        <mixed-citation>Kertis, Anglichanin iz Lebediani [The Englishman from Lebedian]. Boston, St. Petersburg, Academic Studies Press, BiblioRossika Publ., 2020. 448 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B9">
        <label>9.</label>
        <mixed-citation>Kertis, “Issledovaniia romana ‘My’ za rubezhom” (per. V.V. Savitskoi) [“Foreign Research of ‘We’”]. Evgenii Zamiatin. My: Tekst i materialy k tvorcheskoi istorii romana [Evgenij Zamyatin. “We”: the Text and Materials for the Research of the Creation of the Novel]. St. Petersburg, Mir Publ., 2011, pp. 535–563. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B10">
        <label>10.</label>
        <mixed-citation>Krementsov, “Chto novogo bylo v ‘novom cheloveke’ pervoi treti ХХ veka? Nauchnoe znanie kak kul’turnyi resurs” [“What Was New in the ‘New Man’ of the First Third of the Twentieth Century? Scientific Knowledge as a Cultural Resource”]. Novoe literaturnoe obozrenie, no. 4 (176), 2022, pp. 31–49. (In Russ.) https://doi.org/10.53953/08696365_2022_176_4_31</mixed-citation>
      </ref>
      <ref id="B11">
        <label>11.</label>
        <mixed-citation>Kuk, Chelovecheskaia priroda v literaturnoi utopii: “My” Zamiatina [Human Nature in Utopia: Zamyatin’s “We”]. St. Petersburg, Academic Studies Press, Bibliorossika Publ., 2022. 410 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B12">
        <label>12.</label>
        <mixed-citation>Lefevr, “Odin chas s Zamiatinym, korablestroitelem, prozaikom i dramaturgom” [“An Hour with Zamyatin, the Shipbuilder, Writer and Playwright”]. E. Zamiatin. Ia boius’: Literaturnaia kritika. Publitsistika. Vospominaniia [I am Afraid: Criticism, Essays, Memoirs], ed. by A.Iu. Galushkina, M.Iu. Liubimova. Moscow, Nasledie Publ., 1999, pp. 257–258. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B13">
        <label>13.</label>
        <mixed-citation>Struve, P. “Novye varianty shigalevshchiny: o romanakh Zamiatina, Khaksli i Orvella” [“New Variations of Schigalevschina: on the Novels by Zamyatin, Huxley and Orwell”]. Novyi zhurnal (New York), vol. 30, 1952, pp. 152–163. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B14">
        <label>14.</label>
        <mixed-citation>Struve, “Simvolika chisel v romane Zamiatina ‘My’” [“The Symbolism of Numerals in Zamyatin’s novel ‘We’”]. Pravoslavie i kul’tura [Orthodox Church and Culture]. Moscow, Russkii put’ Publ., 2000, pp. 367–373. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B15">
        <label>15.</label>
        <mixed-citation>Teo Eli. Dolina novoi zhizni [The Valley of New Life]. Moscow, Krug Publ., 1928. 383 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B16">
        <label>16.</label>
        <mixed-citation>Aldous Huxley: Selected Letters, ed. by J. Sexton. Chicago, Ivan Dee Publ., 2007. 512 p. (In English)</mixed-citation>
      </ref>
      <ref id="B17">
        <label>17.</label>
        <mixed-citation>Baker, Brave New World: History, Science, and Dystopia. New York, Twayne Publishers Publ., 1990. 156 p. (In English)</mixed-citation>
      </ref>
      <ref id="B18">
        <label>18.</label>
        <mixed-citation>Beauchamp, “All’s Well that Ends Wells: The Anti-Wellsian Satire of ‘Brave New World’.” Utopian Studies, no. 2, 1989, pp. 12–16. (In English)</mixed-citation>
      </ref>
      <ref id="B19">
        <label>19.</label>
        <mixed-citation/>
      </ref>
      <ref id="B20">
        <label>20.</label>
        <mixed-citation>Brown, Edward James. “‘Brave New World’ / ‘1984’ and ‘We’: An Essay on Anti- Utopia: Zamyatin and English ” Zamyatin’s “We”: A Collection of Critical Essays, ed. by G. Kern. Ann Arbor, Ardis Publ., 1988, pp. 209–227. (In English)</mixed-citation>
      </ref>
      <ref id="B21">
        <label>21.</label>
        <mixed-citation>Cockrell, “Future Perfect: H.G. Wells and Bolshevik Russia, 1917–32.” The Reception of H.G. Wells in Europe, ed. by Patrick Parrinder and John S. Partington. London, Continuum Publ., 2005, pp. 74–90. (In English)</mixed-citation>
      </ref>
      <ref id="B22">
        <label>22.</label>
        <mixed-citation>The Collected Essays, Journalism, and Letters of George Orwell: in 4 , ed. by Sonia Orwell, Ian Angus. New York, Harcourt Brace Jovanovich Publ., 1968. (In English)</mixed-citation>
      </ref>
      <ref id="B23">
        <label>23.</label>
        <mixed-citation>Collins, “Zamyatin, Wells and the Utopian Literary Tradition.” The Slavonic and East European Review, vol. 44, no. 103, July, 1966, pp. 351–360. (In English)</mixed-citation>
      </ref>
      <ref id="B24">
        <label>24.</label>
        <mixed-citation>Colmer, Coleridge to Catch-22: Images of Society. London, Basingstoke, Palgrave Macmillan Publ., 1978. 239 p. (In English)</mixed-citation>
      </ref>
      <ref id="B25">
        <label>25.</label>
        <mixed-citation>Complete Essays of Aldous Huxley: in 6 , ed. by Robert. S. Baker, James Sexton. Chicago, Ivan. R. Dee Publ., 2001–2002. (In English)</mixed-citation>
      </ref>
      <ref id="B26">
        <label>26.</label>
        <mixed-citation>The Complete Works of George Orwell: in 20 vols., ed. by Peter Davison. London, Secker and Warburg Publ., 1998. (In English)</mixed-citation>
      </ref>
      <ref id="B27">
        <label>27.</label>
        <mixed-citation>Cooke, Brett. Human Nature in Utopia: Zamyatin’s “We.” Evanston, Northwest- ern University Press, 2002. 216 p. (In English)</mixed-citation>
      </ref>
      <ref id="B28">
        <label>28.</label>
        <mixed-citation>Cooke, Leighton “Ancient and Modern Mathematics in Zamyatin’s ‘We’.” Zamiatin’s ‘We’: A Collection of Critical Essays, ed. by Gary Kern. Ann Arbor, Ardis Publ., 1988, pp. 149–167. (In English)</mixed-citation>
      </ref>
      <ref id="B29">
        <label>29.</label>
        <mixed-citation>Deutscher, “‘1984’ and the Mysticism of Cruelty.” George Orwell. A Col- lection of Critical Essays, ed. by Raymond Williams. New Jersey, Prentice Hall Publ., 1974, pp. 119–132. (In English)</mixed-citation>
      </ref>
      <ref id="B30">
        <label>30.</label>
        <mixed-citation>Firchow, The End of Utopia: A Study of Aldous Huxley’s ‘Brave New World’. Lewisburg, London, Toronto, Bucknell University Press, 1984. 154 p. (In English)</mixed-citation>
      </ref>
      <ref id="B31">
        <label>31.</label>
        <mixed-citation/>
      </ref>
      <ref id="B32">
        <label>32.</label>
        <mixed-citation>Golovacheva, “Huxley, Blok and Berdyaev: Observations on the Nature of the Russian Revolution.” Aldous Huxley Annual, vol. 14, 2014, pp. 125–135.</mixed-citation>
      </ref>
      <ref id="B33">
        <label>33.</label>
        <mixed-citation>Gregg, Richard “Two Adams and Eve in the Crystal Palace: Dostoevsky, the Bible and ‘We’.” Slavic Review, vol. 24, no. 4, 1965, pp. 680–687. (In English)</mixed-citation>
      </ref>
      <ref id="B34">
        <label>34.</label>
        <mixed-citation>Huxley, Aldous. “Utopias Positive and Negative” (1963). Aldous Huxley Annual, no. 1, 2001, pp. 1–9. (In English)</mixed-citation>
      </ref>
      <ref id="B35">
        <label>35.</label>
        <mixed-citation>Jackson, Robert Dostoevskij’s Underground Man in Russian Literature. S-Gravenhage, Mouton Publ., 1958. 223 p. (In English)</mixed-citation>
      </ref>
      <ref id="B36">
        <label>36.</label>
        <mixed-citation/>
      </ref>
      <ref id="B37">
        <label>37.</label>
        <mixed-citation>Meckier, Jerome. “‘Erewhon’ to ‘Island’.” Jerome Meckier. Aldous Huxley and Utopia. Berlin, LIT Verlag Publ., 2022, pp. 5–98. (In English)</mixed-citation>
      </ref>
      <ref id="B38">
        <label>38.</label>
        <mixed-citation>Meckier, “Poetry in the Future, The Future of Poetry: Huxley and Orwell on Zamyatin.” Renaissance and Modern Studies, vol. 28, no. 1, 1984, pp.18–39. (In English)</mixed-citation>
      </ref>
      <ref id="B39">
        <label>39.</label>
        <mixed-citation>Morson, Gary The Boundaries of Genre: Dostoevsky’s ‘Diary of a Writer’ and the Traditions of Literary Utopia. Austin, University of Texas Press, 1981. 219 p. (In English)</mixed-citation>
      </ref>
      <ref id="B40">
        <label>40.</label>
        <mixed-citation>Murray, Nicholas. Aldous Huxley: A Biography. New York, St. Martin’s Press, 2002. 496 p. (In English)</mixed-citation>
      </ref>
      <ref id="B41">
        <label>41.</label>
        <mixed-citation>Parrinder, Patrick. “Imagining the Future: Zamyatin and Wells.” Science Fiction Studies, vol. 1, no. 1, 1973, pp. 17–26. (In English)</mixed-citation>
      </ref>
      <ref id="B42">
        <label>42.</label>
        <mixed-citation>Rabinovitch, “Utopian and Anti-Utopian Thought in Aldous Huxley’s Letters: His Virtual Dialogue with H.G. Wells and George Orwell.” Aldous Huxley Annual, vol. 19, 2019, pp. 263–272. (In English)</mixed-citation>
      </ref>
      <ref id="B43">
        <label>43.</label>
        <mixed-citation>Shane, The Life and Works of Evgenij Zamjatin. Berkeley, Los Angeles, University of California Press, 1968. 302 p. (In English)</mixed-citation>
      </ref>
      <ref id="B44">
        <label>44.</label>
        <mixed-citation>Woodcock, The Crystal Spirit. A Study of George Orwell. London, Fourth Estate Publ., 1984. 304 p. (In English)</mixed-citation>
      </ref>
    </ref-list>
  </back>
</article>
