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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id" xml:lang="en">Literay Fact</journal-id>
      <journal-title-group>
        <journal-title>Literay Fact</journal-title>
      </journal-title-group>
      <issn publication-format="print">2541-8297</issn>
      <issn publication-format="electronic">2542-2421</issn>
      <publisher>
        <publisher-name xml:lang="en">IWL RAS</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">https://www.doi.org/10.22455/2541-8297-2018-10-236-252</article-id>
      <article-categories>
        <subj-group subj-group-type="article-type" xml:lang="en">
          <subject/>
        </subj-group>
        <subj-group subj-group-type="heading" xml:lang="en">
          <subject>Articles</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Sergey Durylin on Nikolay Leskov’s “Sheramur”</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <name name-style="western" xml:lang="en">
            <surname>Ilona Motejunaite</surname>
          </name>
          <email>editor@litfact.ru</email>
        </contrib>
      </contrib-group>
      <pub-date pub-type="collection">
        <year>2018</year>
      </pub-date>
      <kwd-group xml:lang="en">
        <kwd>S.N. Durylin</kwd>
        <kwd>N.S. Leskov</kwd>
        <kwd>“Sheramur”</kwd>
        <kwd>Russian literature</kwd>
        <kwd>perception</kwd>
      </kwd-group>
      <permissions>
        <copyright-statement>Copyright © 2026, IWL RAS</copyright-statement>
        <copyright-year>2026</copyright-year>
      </permissions>
      <abstract>The report makes comments on a fragment about Leskov's story “Sheramur” from the work “Nikolai Semenovich Leskov. Experience of Characteristics and Religious Creativity” by S.N. Durylin. The author considers the context (Leskov's story, Durylin's article “Richard Wagner and Russia” (1913), his essay “The Chief of Silence” (1916), etc.), determining its influence on the perception of the ambiguous Leskov's hero.</abstract>
    </article-meta>
  </front>
  <back>
    <ref-list>
      <ref id="B1">
        <label>1.</label>
        <mixed-citation>Durylin S.N. Rus' prikrovennaia [Russia concealed]. Moscow, Palomnik Publ., 2000. 335 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B2">
        <label>2.</label>
        <mixed-citation>Durylin S.N. Stat'i i issledovaniia 1900–1920 godov [Articles and studies of 1900–1920], comp., intro. and comment. by A.I. Reznichenko, T.N. Rezvykh. St. Petersburg, Vladimir Dal' Publ., 2014. 895 p. (In Russ.)</mixed-citation>
      </ref>
      <ref id="B3">
        <label>3.</label>
        <mixed-citation>Moteiunaite I.V. “Chreva radi iurodivyi” N.S. Leskova (Traditsii iurodstva v rasskaze “Sheramur”) [N.V. Leskov’s “holy fool for womb’s sake” (Traditions of foolishness for Christ in a short story “Sheramur”)]. Severo-Zapad: Istoriko-kul'turnyi regional'nyi vestnik. Vyp. III [North-West: Historical and cultural regional bulletin. Issue 3]. Cherepovets, 2000, pp. 88–99. (In Russ.)</mixed-citation>
      </ref>
    </ref-list>
  </back>
</article>
