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LITERARY FACT

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The name of the journal is not from Lef's “literature of fact”, but from the article “Literary Fact” by Yuri Tynyanov, in which he wrote:

“Definitions of literature, operating with its ‘main’ features, run into a living literary fact. While to give a firm definition of literature is becoming more and more difficult, any contemporary will point his finger at what a literary fact is. He will say that one thing does not belong to literature, representing a fact of poet's everyday or personal life, but the other thing, on the contrary, is precisely a literary fact.”

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Discussion on Andrei Bely's lecture about the play «Dead souls» staged by the Art Theatre

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  • DOI:

    https://www.doi.org/10.22455/2541-8297-2017-6-281-337
  • Issue:

    2017 №6
  • Author: Natalia A. Drovaleva (introduc.)
  • About the author:

    Natalia A. Drovaleva, PhD student of Lomonosov Moscow State University, Gorky Institute of World Literature of the Russian Academy of Sciences, Moscow, Russia.

    E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it..
  • Author 2: Konstantin I. Plotnikov (introduc.)
  • About the author 2:

    Konstantin I. Plotnikov, PhD, independent researcher, Moscow, Russia.

    E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it..
  • Author 3: Ekaterina V. Bezmen (ed.)
  • About the author 3:

    Ekaterina V. Bezmen, PhD, Gorky Institute of World Literature of the Russian Academy of Sciences, Moscow, Russia.

    E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it..
  • Abstract:

    The opening night of the play «Dead Souls» in the Art Theater, staged by K.S. Stanislavsky, happened on the 28th November of 1932 and became a starting point for discussions in several institutions, including Vserosskomdram. The publication of the transcripts of Andrei Bely's lecture on «Dead Souls» (staged by the Art Theater) and the debate on this report brings to light the peculiarities of relationships within the literary community of the time. The materials presented serve to illustrate the work of the Vserosskomdram, its motives and reasonings.
  • Keywords: Andrei Bely, Gogol, the Moscow Art Theatre, Vserosskomdram, lecture, transcript, article.
  • References:

    1. Bulgakov M.A. Pis'ma: Zhizneopisanie v dokumentah [Letters: A Documented Life Story]. Moscow, Sovremennik Publ., 1989. 575 p. (In Russ.)

    2. Gladkova S. Schast'e obshhenija [The Happiness of Communication]. Vospominanija o F. Gladkove. Sbornik [Memories of F. Gladkov. Collection]. Moscow, Sovetskii pisatel' Publ., 1978, рр. 164–186. (In Russ.)

    3. Gladkov A.K. O Belom [About Bely]. Gladkov A.K. Pozdnie vechera. Vospominanija, stat'i, zametki [Late Evenings. Memories, articles, notes]. Moscow, Sovetskii pisatel' Publ., 1986, pp. 278–282. (In Russ.)

    4. Literaturnoe nasledstvo. T. 105: Andrej Belyj: Avtobiograficheskie svody: Material k biografii. Rakurs k dnevniku. Registracionnye zapisi. Dnevniki 1930-h godov [The Literary Heritage. Volume 105: Andrey Bely. Autobiographical corpora: A Biographical Material. An Aspect to the Diary. Registered Notes. Diaries of the 1930s]. Moscow. Nauka Publ., 2016, 1120 p. (In Russ.)

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